48 kHz: How to set it in Android, iOS, macOS and Windows by Allan Tépper

After creating the 48 kHz Alliance this year and several prior articles an increasing number of people now ask me how to set our standard 48 kHz in Android, macOS and Windows. Ahead is all of the information, and why to never open GarageBand on macOS, since it silently violates the system without our consent or knowledge and cruelly resets all hardware to 44.1 kHz, damaging the use of other innocent apps. Ahead are more details.

With Android, no system level change is required. Some intelligent Android apps are 48 kHz exclusive, including

Hooke Audio Binaural 3D Audio (reviewed here). Other apps allow us to select 48 kHz manually, including:

When connected digitally to a device, the setting in the app (or the app’s 48 kHz exclusivity) commands the external hardware device (i.e. microphone or interface) connected via USB to set its A-to-D (analog-to-digital) converter to 48 kHz.

Sadly, some Android apps are currently stuck on 44.1 kHz and should be avoided until upgraded to 48 kHz capability.

With iOS, no system level change is required. Some intelligent iOS apps are 48 kHz exclusive, including:

Other apps allow us to select 48 kHz manually, including:

When connected digitally to a device, the setting in the app (or the app’s 48 kHz exclusivity) commands the external hardware device (i.e. microphone or interface) connected via Lightning to set its A-to-D (analog-to-digital) converter to 48 kHz.

Sadly, some iOS apps are currently stuck on 44.1 kHz and should be avoided until upgraded to 48 kHz capability. These include:

In macOS, in addition to setting it into the recording app, it is also essential to set the devices to 48 kHz in the Audio MIDI Setup (called Configuración Audio MIDI if your macOS is in Castilian, aka “Spanish”), which is located in the Utilities folder. After you open the Audio MIDI Setup, select the devices from the left column.

Then set 48 kHz from the pulldown menu from both the device’s input and output, if it exists. Some devices are in only; others are out only, while many offer both. For best results, do the same with the Mac’s built-in mic and built-in output too.

Note that only device’s true hardware capability is shown in the pulldown menu, which is why some devices offer more options than others. For example, the RØDECaster Pro (covered in several articles) is exclusively 48 kHz, 24-bit stereo, so there is nothing to change in the Audio MIDI Setup. In those cases, it’s just displayed information.

I don’t use Windows at present, but fortunately, Microsoft’s Vanessa Yar documented it for us in 2017:

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No manufacturer is specifically paying Allan Tépper or TecnoTur LLC to write this article or the mentioned books. Some of the other manufacturers listed above have contracted Tépper and/or TecnoTur LLC to carry out consulting and/or translations/localizations/transcreations. Many of the manufacturers listed above have sent Allan Tépper review units. So far, none of the manufacturers listed above is/are sponsors of the TecnoTur , BeyondPodcasting CapicúaFM or TuRadioGlobal programs, although they are welcome to do so, and some are, may be (or may have been) sponsors of ProVideo Coalition magazine. Some links to third parties listed in this article and/or on this web page may indirectly benefit TecnoTur LLC via affiliate programs. Allan Tépper’s opinions are his own. Allan Tépper is not liable for misuse or misunderstanding of information he shares. Copyright and use of this article The articles contained in the TecnoTur channel in ProVideo Coalitionmagazine are copyright Allan Tépper/TecnoTur LLC, except where otherwise attributed. Unauthorized use is prohibited without prior approval, except for short quotes which link back to this page, which are encouraged!

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