HAN DAN Star George Hu on Setting Fire to the Past

George HuSummer Fever :  Well, we {director Huang Chao-liang} worked together {}, so he had the image of me playing this role.  He was just trying to connect my own personality to this character.  There’s two main leads in this film; and they’re each a shadow of him.  They are both sides of him, my character is his good side gone bad.  The other character is the bully becoming the good guy.

Because there are areas where, if, for a regular person -- for instance, like me -- if you would come across a conflict, sometimes you would explode.  Sometimes you would react towards the person that gives you these negative comments, or negative behavior toward you; but director wanted his character, Lin -- he’s burying all those emotions, and it got me sick.  It got me sick to the point where we were filming, and I was like, “Why?  Why?”. {Laughs

Before filming, we were reading the script probably three or four times, back and forth, back and forth.  So, in every scene would talk about, ‘What do you think this character would do?’  In his mind, Director has his own story, and I would have my own story; and we would just try to meet in the middle.  He wouldn’t go too overboard in saying, ‘I want this,’ or ‘I want that.’  He would be more lenient.  So, when we found our point, it would be easier to film this character.

There were times when we would go off the roller coaster; I would go straight sometimes, and he would say, “No, no, no, you gotta take it back in.  You have to wait for this moment to explode”.  So, that was why when I exploded, it felt so good.  I finally exploded, because there were all these emotions buried deep within this character.

He was definitely open to my suggestions, and I was definitely open to his.  Plus, because this character is based on his self-memory, as well, I would definitely have to listen to his side of the story and mesh it with my side of the story to make it more reasonable for me to be comfortable acting this character as a role. 

This character, I would say, can backstab a person, if he wanted to.  He doesn’t want any confrontation up front; he wants confrontation in the back.  In that moment when he just wants to punish that bully, he didn’t want to really kill him.  He just wanted to punish him.  Lin wanted him to deal with the pain that he dealt with, that he had to go through.  So, he pretty much lights it up on fire, but he didn’t think that that situation would happen.  He didn’t think it all through.

I thought when it was the huge wrap -- when we were done with the film -- that I was leaving him, already.  Back when we were filming the first film together, that got to me after two years.  Looking at the trailer, I broke down.  I thought I was over it, because it was two years after that film, why am I being upset and really blue when watching this trailer?  So, I’m not totally over it.  So, I reminded myself not to get too deep with this new character.  

Luckily, it was only a month, because after wrapping filming, I was doing some photo shoots and commercials, and I was looking in the mirror and seeing something wrong.  There was really something wrong with me. {Laughs}  It was definitely not me. {Laughs}  It’s something like possession, but it’s not.  I have to learn to get rid of all this. {Laughs

Okay, it was definitely CGI, but we had to make it more realistic.  We were still on the podium being carried around, and they would light the firecrackers from about three yards away.  I mean, it’s kind of far, but not too far, because firecrackers, they don’t have eyes; meaning when you light them up, they can shoot up anywhere. 

In my version, I would say it’s because he didn’t have that many friends back then.  Even though A-yi was his childhood bully, Lin found his other side.  He see this other side, where, if we were best friends, A-yi would do anything for me:  We would protect each other, he would protect me, I would protect him, and it’s sort of like a brotherhood to him.  He saw this in him.  

But, when Lin calms down, and just thinks back -- because he can’t let go of the past, he thinks back a lot -- he thinks, if you didn’t bully me, I wouldn’t be the way I am right now.  It’s because of you that I’m me, and it’s because of me that you’re you.  So, he can’t forget the past, and once he thinks about it, it’s to the point where he’s hiding all the secrets behind him, and keeping them away from A-yi until he found out.

Not really.  I mean, before shooting, we got the chance to meet with each other, and there was a spark that went off every time we’d meet each other.  It was like, ‘This is weird, but it’s nice,’ because we’d known each other for a long time, but we started work not too long ago, and we were buddy-buddies off set all the time.

Throughout his childhood, everybody was also looking up towards him.  Out of his siblings, everybody was looking at him, saying, ‘You have a bright future. I can tell you have a bright future.”  But at the same time, when he would go to school and deal with being bullied, he said to himself that he didn’t want to be the one protecting the bullies, so, he had that mentality to fight back.  So, that’s the part where the other side of his character comes in.  

Source: Screenanarchy.com

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Keywords:

George Hu • Huang Chao • Character (arts) • Character (arts) • Person • Emotion • Roller coaster • No, No, No (Destiny's Child song) • Emotion • Self • Memory • Narrative • Narrative • Reason • TheWrap • Computer animation • Can't Let Go (Mariah Carey song) • The Way I Am (Eminem song) • Because of You (Kelly Clarkson song) •